![]() but if Magix is only repeating one frame. It's interesting the ( Post#1), difference glt finds between Magix and VegasPro. trying to find a suitable "Test" is very difficult. if I can use Movie Studio to create stunning SloMo then I wouldn't bother with the SloMo in the CX410 - but that camcorder is very good at SloMo and the detail is excellent, so until proven otherwise I think the Camcorder does use a higher shutter-speed and frame-rate, but as discussed on other threads. I too support that as the two are not entirely separate. This is glt's Thread I think, so if he can discuss SloMo in both Camcorders and Editors - why not? This is by far the easiest way to spot adjacent identical frames. No one expects that it will be possible to recreate the missing frames, the whole point in using footage to test is that you know exactly what each frame will contain when shot normally. You can retain and pitch correct the audio. There is effectively no limit to the duration of the footage you can process. ![]() It's very easy to use the same tricks to precisely emulate what the camera does in an editor. Simply looking at the footage shows no increased noise or a reduction in the ability to handle low lighting conditions. The shutter speed they are using precludes recording at a higher framerate (you cannot for instance record 100fps if a single frame exposure takes longer than 1/100 second). They do not record at an increased frame rate at all but in fact simply use the camera buffer to record the same frame more than once to the recording file. Analysis of footage from both cameras shows clearly they cheat. I have two Sony HD camcorders, both of which declare some degree of slow motion capability. Next step I am going to add a simple 25 frame animation to the original frame sequence to see how that gets treated, unless someone has a better suggestion. The images show the results of the intermediate frames generated between the original frame containing the number 12 and the next frame containing 14. The results are interesting in that Vegas clearly uses frame interpolation to produce new intermediate frames and Magix merely repeats the first frame a number of times. ![]() I then used Vegas Pro 12 to stretch the clip to the maximum possible in one go and the same using Magix Pro X6. The resulting clip when loaded into a video editor and single frame advanced generates a clear image for each frame despite mpeg compression.ĪDrive | Online Storage, Online Backup, Cloud Storage ![]() Photoshop was used to create the images and the resulting 1 second video clip (25 fps), though any editing software could have been used. Initial tests used a sequence of 25 frames with each frame being 1920 x 1080 containing a sequence of number 00, 02 - 48. Following another thread that went off topic decided to create a thread discussing how various editors handle creation of slo-mo. ![]()
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And here’s a man who is at an age where he should be enjoying some fruits of his labor, but because of his own horrible mistakes, he’s put his family at risk of not being able to afford a place to live. There are so many families in this world where money is an issue every day. Did you feel like economic anxiety was a central theme of the story?Ībsolutely. At one point, your character says something to the effect of it should cost less to be alive. It was ballsy and beautiful, the way he shot this. For me, it wasn’t a play that was filmed. What he couldn’t do on stage, he wanted to do in the film. He had been thinking about what this would look like on screen for a long time. We didn’t know what it would be like, but we quickly realized that he knew what he wanted and he understood what this movie was. What was it like to be working with a first-time filmmaker in that context? Stephen Karam isn’t just adapting his own play, he’s also making his feature directing debut. 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He has considerable experience in the use of several software packages developed for hydrologic and hydraulic analysis, including the Corps of Engineers hydrologic and hydraulic modeling programs HEC-1, HEC-2, HEC-RAS (steady and unsteady flow), HEC-RAS 2D (version 5.0 and 6.0), HEC-HMS, and many other similar tools. He specializes in flood control planning and design, floodplain management, flood control and stormwater master planning, preparation of flood insurance studies, rainfall/runoff modeling, hydraulic modeling, dam breach analysis, modeling of alluvial fans, erosion control, airport drainage design, and PMF analyses. ![]() ![]() Mark has over 39 years of experience in water resources engineering. This workshop will be of interest to Engineers, H&H modelers (all levels), government employees (model reviewers), dam owners. 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All you have to do is take it, and Montana has both hands out.įrank warns his protégé, “The guys who last in this business are the guys who fly straight – lowkey, quiet and the guys who want it all – chicas, champagne, flash – they don’t last.” But Montana is a meteor, bound to burn up in the atmosphere. And when he gets out of the kitchen and into the heat of crime, he hits the ground running. Emilio Rebenga, who tortured the brother of the crime boss Lopez. In exchange for a Green Card, Montana and his friend Manny Ribera (Steven Bauer) assassinate Gen. The officers note his criminal past, the telltale tattoo on his arm, and the scar on his face, which despite their insults was obviously not caused by oral sex. He says even American prison is better than his life on the Caribbean island. Montana seeks asylum, telling immigration officers he is a political prisoner who doesn’t agree with his country’s politics and owns nothing under communism. Scarface opens shortly after the Mariel boatlift, the 1980 exodus which followed Cuba’s economic crash. These words are flashed in both films and hit each of the two criminal aspirants as hard as the “give me your tired, poor, and hungry” promises carved under the Statue of Liberty. Their shared first mistake is to believe in the American Dream. In the Cold War era film, Montana is a refugee from Cuba. In the original Howard Hughes production, Tony was an immigrant from Italy. Montana’s first crime boss in America, Frank Lopez (Robert Loggia), has weathered the climate change from President Carter to the Gipper, and warns Tony to never “underestimate the other guy’s greed.” Scarface is a rags-to-riches-to-self-destructive fireball story, and nothing succeeds like excess. Tony’s economic theory is much more succinct: “You know what capitalism is? Getting fucked.” De Palma’s adaptation happens in the Reagan era, a time when lucky opportunists could get their lips around the spigots of cash before it got a chance to trickle down. The original 1932 film took place during Prohibition when crime was a viable means of survival. Still, Montana experiences perhaps the greatest fall of all. They almost all reach dizzying heights, and everyone of them sees the dream slip through their fingers. ![]() Pacino would go on to play Carlito in Carlito’s Way and Lefty in Donnie Brasco, but while each hoodlum brings a new facet to his rogues gallery, none of his gangsters ever achieve their ultimate desires. The actor supplanted Paul Muni’s Tony Carmonte as the recognizably scarred face of the title role. Tony Montana continued Pacino’s run of criminal icons, which included Sonny in Dog Day Afternoon and the ultimate crime family head, Michael Corleone in The Godfather films. And just as he is on the brink of winning the trifecta, he is blown away like so much dust up a nose.ĭid he lose because the Cuban mobster didn’t heed the advice of his first crime boss? Or is it because he just couldn’t stand to see his sister and his best friend wearing his-and-her pajamas? In truth, Montana’s fall can probably be traced back to when he learned to speak English by “watching guys like Humphrey Bogart and James Cagney.”ĭirected by Brian De Palma, and written by Oliver Stone, Scarface is a remake of Howard Hawks’ vastly influential 1932 mob movie, so Montana’s explosive descent was preordained. Yet Al Pacino’s antihero breaks both in his quest for money, power, and women. “All I have in this world is my balls and my word, and I don’t break them for no one,” Tony Montana declares in the 1983 gangster classic, Scarface. ![]() |
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